Vientos Del Pueblo's unique instruments:

Vientos del Pueblo performs music using a variety of traditional and contemporary instruments from the Andes mountains. Descriptions for some of our instruments are listed below.

The Charango is a ten-string lute traditionally fashioned from an armadillo shell. The instrument originated in South America when the Spaniards brought the vihuela (guitar) into the area. Since technology did not afford the natives the ability to shape wood, they substituted armadillo shells and a new instrument was born. Today, the instruments are typically made from wood and thus, the vegetarian charango was born. It is most often played by rapidly fanning or plucking which provides a distinctive sound for traditional Andean folk music.

The Zampoña is a typical instrument of South America and can be compared to the European pan pipes. This instrument is made of tubes, often bamboo, which are strapped together. This family of instruments includes the Chuli, Bajones, Sikus, Antaras, Rondadores and Payas. They range in size from four inches to six feet. The tuning of these instruments ranges based on the size. These instruments are often played in pairs alternating notes to offer an indigenous South American sound.

The Quena, also known as the Kena, is an instrument that originated in the Andes mountains. The exact origins are unknown. Quenas have been found throughout South America and have been known to be made of clay, stone, bone and bamboo. These vertical, tubular flutes are open at both ends to allow air to flow through and produce a sound that is mixed with much character and sentiment. A typical Quena has six finger holes in the front and one in the back that allows for higher octaves. This instrument allows the musician to express both the ritual and magical feeling of the Andean culture.

The Cajon is a percussion instrument that originated in Peru. Usually square in nature, the front of the wooden box is played by slapping the thin front surface while the player sits on top. The thin surface is only partially attached to the box which allows for a rattling sound similar to a snare drum.

The Bombo is a typical drum of South America. It is played with either sticks or a beater. The name bombo comes from the deep, muffled sound produced when struck and is very distinctive in nature. A typical resource in making a bombo is a tree trunk. Each end is covered with animal skin. In most instances, the cow skin or sheepskin is used and is placed on the drum with the wool or hair intact.